Friday, August 01, 2008


Well, I guess the bootleggers will be happy to hear this. They will be able to continue to sell their inferior quality DVDs for a bit longer. I mean WTF are McCartney and Starr thinking?

Paul McCartney and Ringo Starr have reportedly stopped the long-awaited re-issue of the 1970 Beatles documentary Let it Be, because it features footage showing the internal strife among the Fab Four. According to Britain's Daily Express newspaper, an inside source says they don't like how the band comes across while they were recording what eventually became their 1970 album Let it Be.

The source said: "There has been talk of Let It Be finally being released but now there has been a change of heart. The Beatles are still a massive global brand and it's felt it won't be helped if the public sees the darker side of the story. Neither Paul nor Ringo would feel comfortable publicising a film showing the Beatles getting on each other's nerves."

The insider added, "People like to imagine the Beatles were a happy ship but the reality towards the end was very different as this film shows. There's all sorts of extra footage showing more squabbles but it's unlikely it will ever see the light of day in Paul and Ringo's lifetime."


This really makes me feel old. I was in high school and remember buying the album when it first came out.

It was 37 years ago today (August 1st, 1972) that George Harrison and friends performed the legendary Concert For Bangladesh at New York City's Madison Square Garden. Harrison organized the shows at the urging of his mentor, sitar virtuoso Ravi Shankar, who asked Harrison to help raise and awareness for his native, famine stricken East Pakistan, by then renamed Bangladesh.

Harrison sprang into action and rounded up a variable who's who in the rock community, including fellow Beatles bandmate Ringo Starr, the semi-reclusive Bob Dylan, Eric Clapton, Billy Preston, Leon Russell, Badfinger, and well over a dozen horn players and singers. With the world's eyes on him, Harrison planned rock's first global fundraiser, as well as his debut as a solo performer.

Harrison had actually asked his feuding ex-bandmates John Lennon and Paul McCartney to perform at the concert as well. According to several sources, McCartney initially agreed, but only if Lennon also performed, with the two playing separate solo sets. McCartney, who was days away from announcing the formation of his solo band Wings, eventually backed out, stating that there were too many legal problems yet to be sorted out among the former Beatles and their then manager Allen Klein for them to appear on the same stage.

Lennon was reportedly all for appearing, until Harrison informed Lennon that only he, and not wife Yoko Ono, was invited to participate. After a long argument with Yoko about whether to perform, Lennon flew to Paris alone and in a rage, missing the entire show, and causing a major rift in Lennon and Harrison's relationship.

Harrison never formally asked Ringo Starr to play; Starr took it upon himself to tell Harrison he'd be there. Harrison also reportedly turned down offers from Mick Jagger and David Crosby, who asked to appear.

Due to overwhelming ticket demand, in the days before the show, a second afternoon performance was added. Although there was about a week of rehearsals that took place above Carnegie Hall, due to the various musicians' schedules the benefit's afternoon performance was the first time that the entire ensemble actually played together.

Harrison's first wife Pattie Boyd says that no one expected the event to end up as the historic event it has become: "Well, of course we didn't know it was going to be the biggest concert in history. We knew it was going to be a very big concert, and he clearly hoped to raise a lot of money. And as far as I remember I think I flew in a couple of days before the show."

Harrison wasn't sure until the last minute that Dylan would actually turn up for the show, and can even be seen in the movie of the concert peering into the wings to see if Dylan actually was there before introducing him.

Although Eric Clapton was invited to be the show's lead guitarist, he was in such bad shape while dealing with his heroin addiction that Taj Mahal's Jesse Ed Davis was deputized to play and pick up whatever musical slack Clapton might leave behind.

Boyd, who after her divorce from Harrison went on to marry Clapton, recalled that everyone was worried about his health at the time: "I remember that it was a pretty major, wonderful show, fantastic show. But there was a bit of concern about Eric when he flew in because of the problems that he had at that time, and everyone was really concerned. And I think this sense of concern was everywhere, really."

The show featured Harrison performing selections from his recent Number One album All Things Must Pass, including the chart topper "My Sweet Lord," as well as Beatles classics such as "Here Comes The Sun," "While My Guitar Gently Weeps," and "Something." Starr took the lead on his recent Top Five Harrison-produced hit "It Don't Come Easy," and Dylan performed a set of his '60s classics including "Blowin' In The Wind," "Mr. Tambourine Man," and "Just Like A Woman," while backed by Harrison in slide guitar, Starr on tambourine and Leon Russell on bass.

The late Billy Preston got an early ovation with his rousing performance of "That's The Way God Planned It." In 2005, Preston recalled the atmosphere among the musicians at the Bangladesh concerts: "Everybody was just excited and thrilled that it went so well. Everybody had a good time with each other. There was no egos."

The Concert For Bangladesh three-record set peaked at Number Two on the Billboard charts, and went on to win the 1972 Grammy Award for Album of the Year.

The revenues from the concert tickets, live album, movie, VHS, and now recent DVD sales have topped $15 million. The concerts, which were rock's first major charity benefits, paved the way for every benefit that followed.

In 2006, Harrison's widow, Olivia Harrison, appeared at Madison Square Garden on the anniversary of the concerts, when a plaque commemorating the event was placed on the venue's walk of fame.